![]() KORINE: What’s the greeting of the sun like?ĪNGER: Oh, it’s just a mental thing. KORINE: What’s a typical day for you now?ĪNGER: I greet the sun in the morning, because that’s part of my religion, and then I proceed with the day. HARMONY KORINE: Hi, Kenneth! How’s it going? We thought they should, so in April, Korine called Anger from his home in Nashville to discover that his hero is still working outside of the mainstream, still a scabrous critic of Hollywood, and still speculating about that Malaysia Airlines flight. Painter and filmmaker-and something of a hell-raiser himself-Harmony Korine has long appreciated the work and legend of Anger, but the two have never really had the chance to speak. Inside the industry, he’s never found a place to rest-he has Lucifer tatted on his chest. He has been famously obscene (and charged as such for Fireworks in California), happily hallucinogenic (his Invocation of My Demon Brother from 1969 was famously evocative of an acid trip), and quite consciously provocative (see all). Anger is the godfather of homoerotic cinema, having made his pioneering Fireworks in 1947. ![]() Over the course of his multivalent career, Anger has worked with and befriended such artists as Marianne Faithfull (a collaborator on Lucifer Rising), the surrealist Jean Cocteau, guitar god Jimmy Page, sexologist Alfred Kinsey, and Tennessee Williams, as well as fellow Thelemite Marjorie Cameron-star of Pleasure Dome and onetime wife of Jet Propulsion Laboratory founder Jack Parsons. And he is also the most famous living practitioner of Thelema-the ritual-based doctrine dictated to Aleister Crowley by the spiritual messenger Aiwass. His film and video works are in the permanent collections of various museums of modern art. But his salacious narrative history of the industry, Hollywood Babylon, originally published in 1960, is also kitsch-famous, a kind of gossip gospel in the land of holy celebrity. The 87-year-old native Angeleno is indeed the writer and director of the surrealist shorts Inauguration of the Pleasure Dome (1954-66), Scorpio Rising (1963), and Lucifer Rising (1970-81)-some of the wildest and most profoundly influential experimental films of the last century. To describe Kenneth Anger as a “cult filmmaker” seems requisite but incomplete. All seventeen minutes of the film are in storage with one screenshot surfacing.MY DREAMS ARE, LIKE, BIG BUDGET, AND MY MOVIES ARE SMALL BUDGET. ĭespite all of the fanfare, it is unlikely that Fight Harm will be released anytime soon. This was the first time anyone outside of the production crew saw it. Though at the 2018 Key West Film Festival, Korine did show a clip to an audience in the first row. The only purpose of these fights was to make the world’s greatest slapstick comedy, something that Buster Keaton or The Three Stooges would have been jealous of. She thinks I need to wait another ten for it to be really funny. My wife is really adamant about me not showing it at this point. In 2010, Harmony Korine gave an update as to whether or not he would release the footage: One of the factors preventing the footage from being released are possible legal ramifications because some people involved with Fight Harm did not sign the release forms. Korine insists that the film will be funnier as it gets older. Production for Fight Harm was shelved around September of 1999.ĭespite the cult following, Harmony Korine refuses to release the footage of Fight Harm due to many issues. Though no official reason has been given, it is likely that Korine was not pleased with the lack of footage and could not sustain any more injuries. She’s like, ‘Don’t sign it! He’s not a director – he needs to be locked up in a mental institute!’ And the girl beside him is totally in tears, the stripper. got so sad when he found out… He was like, ‘Oh my God, if I knew this, I never would have touched the guy!’ And so he signs the release form. ![]() In one interview he recounts the reaction a bouncer had after finding out the fight was for a film: Production ended up taking a massive toll on Harmony Korine and the people involved. Nine fights were filmed which only surmounted to seventeen minutes worth of footage. Before every fight, Harmony Korine would get a little drunk. Production began on Fight Harm sometime in 1999 in New York City. The camera crew would then proceed to ask the person who just beat up Korine if they would sign a release form in order to be in the movie. During the fights, the camera crew could not interfere until after Harmony Korine was knocked out. After Korine sought someone out who was bigger than him, he then would proceed to verbally insult the person and provoke them into a fight, though Korine could not throw the first punch. In Fight Harm, Harmony Korine would wander the streets of Manhattan in New York City to provoke people into fighting him.
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